Mine or Yours?

One of the best things about teaching at a retreat or on a stitching cruise is the time I get to just talk to stitchers in a casual setting. I have the opportunity to listen to their concerns and questions in what, I hope, they see as a safe place to do so.

Recently, a question came up several times in the same weekend and subsequent Facebook posts made me realize that the topic is relevant to a wide number of stitchers:

“Is it okay to change a design?”

I don’t remember the context of the question asked but I do remember my reaction. As usual, I answered with a story. A story about something that happened way back in the mid-80’s at the old Rockome Gardens event. A stitcher won a ribbon for her stitching of my Jannet Irving sampler. She had changed the predominantly red color scheme to blue and she was nervous that I would have a negative reaction. Far from it! I was, in equal measure, excited that she won a ribbon, pleased that she chose one of my designs to stitch, and proud that she put her own personal stamp on this project.

What if the reds were changed to blues?

To this day, I still feel that way.

What I didn’t know thirty years ago and only learned last month at the Work of the Hands retreat, is that some designers DO have a negative reaction when a stitcher modifies one of their designs. I have no way of knowing how widespread that attitude is. I do not know who the designers are (nor do I want to know). I don’t know what happened and to whom for these stories of malcontented designers to surface.

All I can do is to tell you how I feel about this topic.

First, given all the zillions of designs and classes out there, I am tickled pink when someone chooses one of my designs to stitch. Every stitcher has limited time to stitch and limited money to spend. If you choose to spend your time and money on one of my creative outbursts, I am very, very pleased!

Second, once you make the choice, my design becomes your project. It becomes yours, not mine. Do what pleases you, not me. If you plan to use it to decorate your home, by all means change the colors to fit your decor. You want to substitute the verse for one you like better? Do it! To me, the chart is a blueprint, not a mandate. And when it comes to reproduction samplers, when you make a change you are continuing the tradition of the many women and young girls who came before us as each made subtle and not-s0-subtle changes in sampler patterns.

Third, if a professional designer is insulted that you have changed their design, the much-used phrase “it’s not you, it’s them” applies.

Fourth, and final, be proud of your project! I feel sad when any stitcher has negative feelings about their stitching projects. If you post a photo on social media like Facebook, it is a courtesy to all parties to mention the changes you made. It helps other stitchers by letting them know that if they purchase the same design, it won’t look exactly like yours. It’s nice to acknowledge the designer, too.

It is my hope that stitching will always bring joy to every stitcher for every project!

Stitch. Enjoy. Love.

Upcoming stitching events:
May 4 – 9, 2019: Stitchers’ Escapes Cruise to Bermuda with me and Diane Herrman
July 11-14, 2019: Work of the Hands in Winston-Salem, NC with me and Terri Bay
September 6 – 13, 2019: Stitchers’ Escapes Cruise to Alaska with me and Toni Gerdes

Get cruise details at www.StitchersEscapes.com
For WOTH details, send me an email: jeanfarish@gmail.com

Posted in tutorial | Comments Off on Mine or Yours?

Color: Red, Pink, Burgundy, or Rose?

 

Last week, I wrote about the role of value in choosing colors. Today, I’ll tackle three terms that are often misused but once explained are actually pretty easy to understand: tint, shade, and tone.

Imagine for a moment that you have three pots of red paint in front of you. If you add white to one of them, what will you get? Easy peasy … we’ve all done this to get pink. You have just mastered the concept of tint. The more white that is added, the lighter the pink.

What happens when you add black to the second pot? Are you imagining a darker red? The imagined result would be a burgundy or maybe maroon. The proper term here is shade. The more black that is added, the darker the red.

Top to bottom: tint, pure color, shade. Better known as pink, red, and burgundy!

For the last imaginary experiment, add grey to the last pot of red. This is a little trickier because you are essentially adding both white and black. Regardless of the ratio, what you end up with here is tone and the end result will be what we often think of as a dusty rose color. In the green family, think of moss green as opposed to grass green. In blues, you may have steel blue or a misty blue.

The true blue in the center is bracketed by a medium tone (above) and a lighter tone (below).

Tint: add white to any color.
Shade: add black to any color.
Tone: add grey to any color.

These are very basic descriptions and are not meant as a tutorial for any serious study of art theory. My purpose is to help you understand why some colors work together and other do not when making your own color choices in needlework projects.

In general, do not mix tones with tints and shades. If you are working with pure colors (no grey added) then stick to them. If you are working with colors that are softened with grey, like the rose pink or moss green mentioned above, then stay with them. In all creative endeavors, there are exceptions so if you mix it up and like the result, that’s great.

Color is all around us. All you go through your daily routine, make note of how colors are used together. Take pictures of color schemes that catch your eye and put them in a file together … (can you say Pinterest?!) … even if the subject matter is not needlework. As your “color collection” grows, really look at it. I suspect that you will soon see a common color scheme develop. The next time you need a color scheme, you’ll know just where to look!

Stitch. Enjoy. Love.

PS: It’s not too late to join us on the third annual Stitchers’ Escapes cruise from Southampton, UK to Bruges, Belgium; Hamburg, Germany; and Oslo, Norway. Registration closes June 1, 2018.

Posted in tutorial | Comments Off on Color: Red, Pink, Burgundy, or Rose?